Featured Collection: The Arthur B. Church KMBC Radio Collection at the University of Missouri-Kansas City

The Preservation Division of the Radio Preservation Task Force is launching a series of blog postings to feature radio collections around the United States in order to illustrate the variety these collections offer, and the cultural history they preserve. The first such collection is the Arthur B. Church KMBC Radio Collection, located in the SpecialContinue reading “Featured Collection: The Arthur B. Church KMBC Radio Collection at the University of Missouri-Kansas City”

Black Women in Radio joins the Task Force

The Library of Congress’s Radio Preservation Task Force is excited to announce a new partnership with Black Women in Radio (BWIR). This organization has successfully connected thousands of minority women and celebrated their professional contributions to Black radio culture on a national platform. This month, we spotlight BWIR: When Felèsha Love kicked off the BlackContinue reading “Black Women in Radio joins the Task Force”

Article: Radio Preservation and the Orphan Agenda

Director Shawn Vancour and Chair Josh Shepperd have written a new article about the Radio Taskforce and the impact of copyright policy on cultural memory and preservation. “Radio Preservation and the Orphan Agenda” explains just how the expanded orphan agenda has been central to the RPTF’s work. Vancour and Shepperd’s article foregrounds the social andContinue reading “Article: Radio Preservation and the Orphan Agenda”

Workshop Report: Digital Storytelling With Audio Primary Sources

The Educational Division is expanding its outreach efforts! This July, the Division worked with The History Project, a professional development organization at the University of California Irvine, to sponsor a digital storytelling workshop for primary and secondary school educators interested in integrating more audiovisual media into their classrooms.  Led by Ed Division Co-Director Stephanie Sapienza, theContinue reading “Workshop Report: Digital Storytelling With Audio Primary Sources”